Guides

Running a creator campaign

Quick answer. The brand side. How to write a brief that gets clips you can use, what actually moves the rate you pay, and which of the numbers in a campaign report answer a question worth asking. Written for the person buying, not the person filming.

3 guides in this topic

The brief does most of the work

Almost every rejected clip is a brief problem rather than a creator problem: something you needed was never written down. Twenty minutes spent on the four things a brief has to answer saves a fortnight of rejections, and it is the only part of a campaign that is entirely within your control before anything is filmed.

Specify constraints, not creative

The instruction that helps is a boundary — what must not be claimed, what must not be in frame. The instruction that hurts is a storyboard, because it removes the only thing you were buying: somebody else's instinct for what holds attention in their own feed. Count how many of your sentences start with “must not” versus “must”.

Decide what you are measuring before you launch

Each metric answers a different question, and the one that matters most — did this do anything for the business — cannot be answered retrospectively if the baseline was never recorded. A number you decided on in advance is a result; a number you interpret afterwards is a story.

Other topics

What it pays · Starting out · Making the video · Rules and proof · Which route to take

Or see every guide. The figures behind all of them are on OVERCLIP at a glance.

Reading is the easy part

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